{"id":1427,"date":"2007-06-19T23:22:19","date_gmt":"2007-06-19T21:22:19","guid":{"rendered":"http:\/\/en.greenmedia.md\/?p=1427"},"modified":"2007-06-19T23:22:19","modified_gmt":"2007-06-19T21:22:19","slug":"limits-and-brilliance","status":"publish","type":"post","link":"https:\/\/salvaeco.org\/limits-and-brilliance.html","title":{"rendered":"Limits and Brilliance"},"content":{"rendered":"
<\/a>We find ourselves, as I wrote a bit ago in an essay called The Empire of Crime, without a contemporary sense of our immediate surroundings or much of a model for a working future. This lends an air of surreality to our thinking. Like the hero of William Gibson’s story The Gernsback Continuum, we are shadowed by visions of a future not our own: Mercifully, the whole thing is starting to fade, to become an episode. When I do still catch the odd glimpse, it\u2019s peripheral; mere fragments of mad-doctor chrome, confining themselves to the corner of the eye. There was that flying-wing liner over San Francisco last week, but it was almost translucent. And the shark-fin roadsters have gotten scarcer, and freeways discreetly avoid unfolding themselves into the gleaming eighty-lane monsters I was forced to drive last month in my rented Toyota. And I know that none of it will follow me to New York; my vision is narrowing to a single wavelength of probability. I\u2019ve worked hard for that. Television helped a lot. Indeed, we’re irrationally hung up on the past’s visions of the future. Check out Gareth Branwyn’s photo tour of steampunk hobbyist artifacts: Retro-futurism is all… (more<\/a>)<\/p>\n